This article by Liz Pithan explores Alessandra Eramo's solo performance A/TEM, presented as part of the group exhibition Hellhören in Berlin. It focuses on the intersection of voice, drawing, and performance, highlighting Eramo's experimental approach to sound and visual art. In her performance, Alessandra Eramo combines singing and painting. In doing so, she reverses traditional notions of the sequence between notation, the painting of graphic scores, and vocal improvisation.

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